Commercial recording - These recordings are professionally made studio recordings. Up until the 1950's, they were recorded as 78-rpm record sides, fitting up to ca. 5 minutes of music each. Each side had to be recorded in one continuous take and no editing was possible. Sometimes this necessitated multiple takes to achieve a satisfactory result - though many of Cortot's recordings were successfully made in 1-2 takes per side.

Personnel

Take Info

MatrixTakeDateLocationWork/Movement/SectionStatusTechnologyTypeNote
Cc 162211A1929-03-13Studio C, Queen's Small Hall, London
Liszt - Piano Sonata in b minor, S. 178 (1st movement - Allegro energico - Part 1)
ElectricalCommercial
Cc 1622211929-03-13Studio C, Queen's Small Hall, London
Liszt - Piano Sonata in b minor, S. 178 (1st movement - Allegro energico - Part 2)
ElectricalCommercial
Cc 162231A1929-03-13Studio C, Queen's Small Hall, London
Liszt - Piano Sonata in b minor, S. 178 (1st movement - Allegro energico - Part 3 + 2nd movement - Andante sostenuto - Part 1)
ElectricalCommercial
Cc 1622421929-03-13Studio C, Queen's Small Hall, London
Liszt - Piano Sonata in b minor, S. 178 (2nd movement - Andante sostenuto - Part 2)
ElectricalCommercial
Cc 162251A1929-03-13Studio C, Queen's Small Hall, London
Liszt - Piano Sonata in b minor, S. 178 (3rd movement - Allegro energico)
ElectricalCommercial
Cc 162261A1929-03-13Studio C, Queen's Small Hall, London
Liszt - Piano Sonata in b minor, S. 178 (4th movement - Allegro energico - Andante sostenuto - Lento assai)
ElectricalCommercial

Releases

Sources

  • Bolig, J. R. & Milmo, J. (2020). His Master’s Voice Celebrity Series Recordings and Historical Reissues, 1924‐1958. UC Santa Barbara Library
  • Jonathan Summers (2008). [Liner notes]. Alfred Cortot 1931-1948 Recordings [CD]. Naxos Rights International Ltd.

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